Spring colours in the upper garden (May 28) (by Four Seasons Garden)
(Source: dorrds, via bbbeecky)
can’t stop drawing rude foxes
stickers and shirts on [redbubble]
Forest in shape of Minnesota: Oaks hoax? Nope – genuine pine shrine
At first glance, it looks a bit fake, like a Photoshopped woodsy version of crop circles.
But Google Maps doesn’t lie. Tucked into the forests of Park Township in Lake of the Woods County is a 23-acre stand of jack pine trees in the shape of Minnesota.
Reddit users this week were buzzing about the image – and whether it could possibly be real – after someone posted an image of it.
Who pulled this off – liquored-up lumberjacks? Aliens?
No, it was inventive DNR forestry veteran Bill Lockner – in the late 1980s, way before Google Maps.
A timber sale on the state-managed land was pending, so Lockner made it interesting. Without the benefit of GPS, Lockner surveyed out the Minnesota shape, using only rudimentary tools, a compass and hip chain, DNR spokeswoman Jennifer Teegarden told BringMeTheNews.
Subsequently, the land around it has been logged off, and new trees have grown up in the Minnesota shape, Lake of the Woods County water and lands Director Josh Stromlund explained. The Minnesota-shaped stand – roughly 1,200 feet wide at the arrowhead and 1,350 feet tall – is well known by county residents, he said.
via Bring Me The News and Reddit
If you’ve seen Darren Aronofsky’s Noah, you may have noticed something a little weird about the semi-Biblical, semi-apocalyptic cast of the movie: they’re all white. Even the extras.
In an interview with The Higher Calling, Noah screenwriter Ari Handel spoke about the reasoning behind the lack of racial diversity in the cast.
“From the beginning, we were concerned about casting, the issue of race. What we realized is that this story is functioning at the level of myth, and as a mythical story, the race of the individuals doesn’t matter. They’re supposed to be stand-ins for all people. Either you end up with a Bennetton ad or the crew of the Starship Enterprise. You either try to put everything in there, which just calls attention to it, or you just say, ‘Let’s make that not a factor, because we’re trying to deal with everyman.’ Looking at this story through that kind of lens is the same as saying, ‘Would the ark float and is it big enough to get all the species in there?’ That’s irrelevant to the questions because the questions are operating on a different plane than that; they’re operating on the mythical plane.”
In summary, white people are stand-ins “for all people,” and no other race could possibly qualify for “everyman” status. Ari Handel’s reasoning is that the only way to dispense with the issue of racism is to remove everyone who isn’t white. Asking what happened to all the other races is akin to nitpicking about whether the arc would float or not. It’s just silly, OK? “The race of individuals doesn’t matter,” which is why they made absolutely sure that all of those individuals were white. Or something.
Unintentionally, Handel managed to illustrate everything that’s wrong with the ongoing attitude towards casting actors of color in major Hollywood movies. White people are the norm, and everyone else is just a distraction. God forbid anyone attempt to be as diverse as the cast of the Star Trek, which debuted in 1966 and included a grand total of two non-white characters.
(Source: hellotailor, via dailydot)
Apollonia Saintclair 368 -20130524 Les préparatifs (The préparations)